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louboutins.us is 1 year 6 months old. It is a domain having .us extension. This website is estimated worth of $ 8.95 and have a daily income of around $ 0.15. As no active threats were reported recently by users, louboutins.us is SAFE to browse.

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Estimated Valuation

Income Per Day: $ 0.15
Estimated Worth: $ 8.95

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Web Server Information

decollete cristiano louboutininBottom_5">Hosted IP Address:

162.251.70.83

Hosted Country:

United States US

Location Latitude:

37.751

Location Longitude:

-97.822
Page Title of louboutins.us
Christian Louboutin Shoes Outlet, Red Bottoms Shoes Sale
Meta Tags of louboutins.us
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Website Inpage Analysis

H1 Headings: 1 H2 Headings: 20
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Total IFRAMEs: Not Applicable Total Images: 32
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Websites Hosted on Same IP (i.e. 162.251.70.83)

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: - Tiffany Necklace Tiffany Bracelet Tiffany Earrings Tiffany Jewellery Sets Tiffany Bangle Tiffany Rings Tiffany Classic 1837 Tiffany Cufflinks Tiffany Key Rings Tiffany...

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PANDORA Jewelry | Charms and Bracelets | Official US PANDORA Store

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Shop the Official US PANDORA Jewelry store online. Find the perfect PANDORA charms, bracelets, rings or necklaces to celebrate the unforgettable moments in life

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HTTP Header Analysis

Http-Version: 1.1
Status-Code: 200
Status: 200 OK
Server: nginx
Date: Sat, 16 Apr 2016 10:58:37 GMT
Content-Type: text/html; charset=UTF-8
Transfer-Encoding: chunked
Connection: keep-alive
Keep-Alive: timeout=60
Content-Encoding: gzip

Domain Information

Domain Registrar: NEUSTAR INC.
Registration Date: 2016-04-14 1 year 6 months 4 days ago
Last Modified: 2016-04-14 1 year 6 months 4 days ago
Expiration Date: 2017-04-13 6 months 4 days 1 hour ago
Domain Status:
clientTransferProhibited
Owner's E-Mail: 1774380681@qq.com

Domain Nameserver Information

Host IP Address Country
ns2.he.net 216.218.131.2 United States United States
ns1.he.net 216.218.130.2 United States United States

DNS Record Analysis

Host Type TTL Extra
LOUBOUTINS.us A 86396 IP: 162.251.70.83
louboutins.us NS 7196 Target: ns3.he.net
louboutins.us NS 7196 Target: ns5.he.net
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louboutins.us NS 7196 Target: ns1.he.net
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louboutins.us SOA 86400 MNAME: ns1.he.net
RNAME: hostmaster.he.net
Serial: 2016041508
Refresh: 10800
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Expire: 604800

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Alexa Traffic Rank

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Full WHOIS Lookup

Domain Name: LOUBOUTINS.US
Domain ID: D52740118-US
Sponsoring Registrar: PDR LTD. D/B/A PUBLICDOMAINREGISTRY.COM
Sponsoring Registrar IANA ID: 303
Registrar URL (registration services): www.publicdomainregistry.com
Domain Status: clientTransferProhibited
Variant: LOUBOUTINS.US
Registrant ID: DI_53276095
Registrant Name: meg potter
Registrant Organization: N/A
Registrant Address1: 96 B Union St.
Registrant City: Brewer
Registrant State/Province: ME
Registrant Postal Code: 04412
Registrant Country: United States
Registrant Country Code: US
Registrant Phone Number: +1.8478179526
Registrant Email: 1774380681@qq.com
Registrant Application Purpose: P3
Registrant Nexus Category: C11
Administrative Contact ID: DI_53276095
Administrative Contact Name: meg potter
Administrative Contact Organization: N/A
Administrative Contact Address1: 96 B Union St.
Administrative Contact City: Brewer
Administrative Contact State/Province: ME
Administrative Contact Postal Code: 04412
Administrative Contact Country: United States
Administrative Contact Country Code: US
Administrative Contact Phone Number: +1.8478179526
Administrative Contact Email: 1774380681@qq.com
Administrative Application Purpose: P3
Administrative Nexus Category: C11
Billing Contact ID: DI_53276095
Billing Contact Name: meg potter
Billing Contact Organization: N/A
Billing Contact Address1: 96 B Union St.
Billing Contact City: Brewer
Billing Contact State/Province: ME
Billing Contact Postal Code: 04412
Billing Contact Country: United States
Billing Contact Country Code: US
Billing Contact Phone Number: +1.8478179526
Billing Contact Email: 1774380681@qq.com
Billing Application Purpose: P3
Billing Nexus Category: C11
Technical Contact ID: DI_53276095
Technical Contact Name: meg potter
Technical Contact Organization: N/A
Technical Contact Address1: 96 B Union St.
Technical Contact City: Brewer
Technical Contact State/Province: ME
Technical Contact Postal Code: 04412
Technical Contact Country: United States
Technical Contact Country Code: US
Technical Contact Phone Number: +1.8478179526
Technical Contact Email: 1774380681@qq.com
Technical Application Purpose: P3
Technical Nexus Category: C11
Name Server: NS2.HE.NET
Name Server: NS1.HE.NET
Created by Registrar: PDR LTD. D/B/A PUBLICDOMAINREGISTRY.COM
Last Updated by Registrar: PDR LTD. D/B/A PUBLICDOMAINREGISTRY.COM
Domain Registration Date: Thu Apr 14 03:23:52 GMT 2016
Domain Expiration Date: Thu Apr 13 23:59:59 GMT 2017
Domain Last Updated Date: Thu Apr 14 03:23:53 GMT 2016
DNSSEC: false

>>>> Whois database was last updated on: Sat Apr 16 10:59:19 GMT 2016

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  • In His Shoes

    Photo
    Manolo Blahnik. Credit Tony Cenicola/The New York Times

    THIS is the tale of the little stiletto that could, a shoe that in the long-ago days of the luxury-goods boom scampered to the top of a rarefied heap. It was just a handful of years ago that the name of Manolo Blahnik, a 68-year-old London cobbler born in the Canary Islands, was familiar only to hard-core fashion hunters and residents of ZIP code 10021.

    Then a funny thing happened: “Sex and the City.”

    As man-crazy as the character Carrie Bradshaw was on the long-running series, she was just as obsessive about what Vanity Fair once termed every woman’s favorite phallic symbol, shoes. Lust for footwear seldom featured as a continuing television plot line before the show came along. Yet such was the shoe-mania of the character played by Sarah Jessica Parker that, merely by name-checking Manolo Blahnik, she made his a household name.

    One sign of the familiarity American women developed with Blahnik’s classically styled shoes — so comfortable, some claimed, you could wear them to scale Everest — was a 2007 survey by Women’s Wear Daily and the trade journal Footwear News. In it, 37 percent of the 2,000 consumers canvassed about their buying habits conceded that they’d willingly bungee-jump off the Golden Gate Bridge in exchange for a lifetime supply of Manolos.

    And if they had, they probably would have met Manolo on the way down.

    Soon after the 2007 survey appeared, Mr. Blahnik’s name and label took a style dive, his often kittenish designs supplanted by the more aggressive efforts of a new crop of shoemakers, people like Nicholas Kirkwood, Brian Atwood and Christian Louboutin.

    It was Mr. Louboutin who most effectively hijacked Manolo Blahnik’s thunder and a chunk of his market, using an arsenal of gaud and ostentation, shoes that came studded, strapped, buckled and fur-covered and that were also made instantly identifiable by his signature red soles. (The same soles have embroiled him in a long-running trademark infringement dispute with the fashion house Yves Saint Laurent.)

    Continue reading the main story

    Unlike Mr. Blahnik, Mr. Louboutin seemed to revel in borderline vulgarity. What, after all, is a red sole but an update on the comedian Minnie Pearl’s custom of wearing her hat with the price tag attached? “It was a chic idea for a minute,” said George Malkemus, president of Manolo Blahnik U.S.A. “You wore a red sole, and everyone knew you spent $1,200 or $1,400 for your shoes. And I would say there was a period when certain customers abandoned us and moved into that world.”

    Even among those closely associated with the iconic Blahnik shoe there was a sense that the tide had shifted. A time came, Ms. Parker said, “when Manolo wasn’t defining the aesthetic,” when Blade Runner styles took over from smart patent pumps, and wearing Manolos was almost like announcing one had turned in one’s coquette card and started taking style cues from Judge Judy.

    Mr. Blahnik, notoriously indifferent to fashion trends, stayed true to an aesthetic that he said was formed in his 1950s boyhood by women like Audrey Hepburn and the ultra-elegant model Dovima, nee Dorothy Juba. “The gimmicky thing I’m not very keen on,” Mr. Blahnik said last week from London. “I’ve never been tempted to do these hideous furniture shoes.”

    But fashion, as we all know, is nothing if not fickle; Heidi Klum is merely reporting fact when she notes each week on “Project Runway” that one day you’re in and the next day you’re out. So it should come as no surprise that, suddenly, signs are everywhere that Blahnik is back in style.

    When Kate Moss married last summer, she was shod in a pair of classic Manolos. When Ms. Parker was photographed in a multipage page pictorial for last August’s Vogue, she wore Manolo’s BB pump exclusively. When Marc Jacobs showed his spring 2012 collection last month in New York, he paid sly homage to Manolo and the designer’s classic high-heel Mary-Janes.

    And at the recent spring 2012 shows in Paris, the style of footwear dominating runways had a lot less in common with the stunt shoes that held sway in recent seasons — the ones compulsively name-checked by Real Housewives and in songs by J. Lo, and that garnered Mr. Louboutin full-scale profiles in The New Yorker and Vanity Fair — than with the simple and ladylike shoe Mr. Blahnik has designed since his competitors were in their teens.

    “In the fight for the shoe summit,” Ms. Parker said, Manolo is suddenly on top again.

    The reasons seem clear. Not only did “the cult of the ugly shoe have to end,” as André Leon Talley, a contributing editor of Vogue, recently noted, but unbridled ostentatious spending has come to look a lot less chic when nearly 1 in 10 Americans is unemployed.

    “Fashion had to turn on its ugly heel and return to beautiful shoes,” Mr. Talley said, citing among the appealing elements of Manolo Blahnik shoes their sleek lines and absence of gimmickry.

    “They’re a staple, something you have to have in your refrigerator, like butter or milk,”’ he said, or Champagne and caviar, anyway.

    “Manolo’s shoes are very much in the spirit of this moment’s clothes, pared down, with simple lines, and I hate to say ladylike, but classic,” said Linda Fargo, the senior vice president for women’s fashion at Bergdorf Goodman, where recent deliveries of a particular Manolo Blahnik pump sold out so fast, the store was forced to institute a waiting list, that forgotten symbol of ’90s excess.

    “We do a very, very strong business in his shoes,” Jonathan Joselove, senior vice president and merchandise manager for Neiman Marcus Stores, said by phone from Paris, adding that the stores have difficulty keeping certain Manolos in stock, despite a cost of $600 or more a pair. “He knows how to make a woman look beautiful,” Mr. Joselove said.

    Understandably, most Americans might struggle to understand the irresistible allure of a shoe whose cost is equal to about a quarter of the average annual household clothes budget for a family of four. Yet for retail analysts, the current rush on Manolo Blahnik shoes is an encouraging sign for the economy, over all.

    “The upper end of the market is driving much of the growth” in retail, said Marshal Cohen, chief analyst at the NPD Group, a consumer research firm. And surprisingly, despite a near constant din of doomful economic news, that market is by all accounts robust.

    “Luxury is strong,” said Mary Lou Quinlan, the chief executive of Just Ask a Woman, a marketing company with clients like Clairol and GlaxoSmithKline. “There’s an element among women who are still doing well in their jobs of, ‘I deserve it, I need it, I’ve got to have my fix.’ ”

    As recently as a year ago, that shoe fix might have been delivered by Jimmy Choo, Sergio Rossi, Pierre Hardy, Brian Atwood, Walter Steiger, Nicholas Kirkwood or any of the other high-end players who got in on the lucrative market in keeping women well shod.

    It might have had bondage straps or menacing spikes, ornamental elements that made it seem, during one recent season, as if Miuccia Prada had found inspiration in Rosa Klebb, Ian Fleming’s Cold War villain who secreted stiletto blades in her soles.

    On certain Louboutin shoes, heels rose above six inches, the better to accommodate thick wedges and platforms and to justify prices that crept toward $2,000 a pair. “Louboutins were just so much cooler, spikier and more high-fashion,” said the writer Molly Jong-Fast, a self-professed shoe fiend. “If you’re going to spend $800 for a pair of shoes, you want something cutting edge, not something you’ll see everyone wearing at shul.”

    Curiously, the reemergence of Blahnik’s restrained “classic” styles counters an apparent trend sometimes noted by footwear historians: the more depressed the economy, the more vertiginous the shoe. “But this recession has dragged on so long” that the playful vulgarity of wearing sinister and gravity-defying shoes is seen as unseemly, said Elizabeth Semmelhack, senior curator of the Bata Shoe Museum in Toronto. “If the first wave was an overexuberant expression of wealth, the next is of ostentatious restraint.”

    Or, as Ms. Quinlan of Just Ask a Woman said, “It’s tacky to strut around in your red-soled shoes when other people are trying not to get a pink slip.”

    Yet it’s style, and not political correctness, that is driving a return to Manolo Blahnik. “For classic, timeless Jackie O dressing, it’s always back to Manolo,” said Lisa Bytner, a Manhattan publicist who owns 20 pairs. “I bought Louboutins to be in on the platform fad and now they’re sitting in the closet because they hurt.” In Manolos, say fans like Ms. Bytner, “I can jog down the street and run for a taxi.”

    Why bother, Mr. Louboutin said in a recent interview timed to coincide with the release of a lavish 304-page coffee-table book (Rizzoli, $150) celebrating his designs? “I don’t have the pretensions that they are there to fulfill every need that people have,” he told The New York Post. “Who wants to run, anyway, really?”

    Arriving for her Vogue shoot last spring, Ms. Parker entered a dressing room filled with the latest styles and a wall of shoes secured for the sitting by Tonne Goodman, a seasoned editor at Vogue. “I walked in and looked around and saw all these shoes, and then I spotted the Manolos and it was like water in a desert,” Ms. Parker said.

    “I was just so excited to see a simple black pump.”

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